SCENE 44 WAS DELETED
Rose is in her room, staring off into space while Trudy Bolt, the maid, is hanging up some of Rose's clothes. TRUDY: It all smells so new. Like they made it just for us. I mean, just to think that tonight when I crawl between the sheets, I'll be the first. Cal enters justs before she says just to think. CAL says gruffly to Rose: And when I crawl beneath the sheets tonight, I'll be the first. Trudy sees that things might get uncomfortable and makes a quick exit around Cal.
Cal grasps Rose's shoulders in possession, not intimacy. CAL: The first and only forever. Isn't that RIGHT, Rose dear? He grips her shoulders tighter. Rose squirms away awkwardly. ROSE: You may have control over my future and my activities, Mr. Hockley, but keep in mind you do not have control over my spirit and my heart. Excuse me. She leaves the room. Cal grips his forehead in annoyance. He sighs deeply and scowls at himself in the mirror. Shaking his head, he walks out the door and follows Rose.
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SCENE 62 WAS DELETED
OLD ROSE: Yes, it was a gift that ought to be given between lovers. But that is an amazing overstatement with Cal. He was just like the necklace. Big, flashy, and perfect if you are just looking. But once you really take it, it is heavy, constricting, and you feel its presence always, nagging at you. But with the necklace, you can just pull it off your neck. With Cal, I felt as if I had to pull life away from my body... If you could have not just seen it, but held it in your hand.....
BROCK LOVETT: Well, that's kinda the point lady.
LEWIS BODINE(laughing): So lemme get this straight. You were gonna jump off the doomed ship?
BROCK: That's enough, Lewis.
LEWIS(still laughing): All you had to do was wait two days!
Brock glares at him. BROCK: So what next? What'd Hockley do with the necklace??
OLD ROSE: I believe I am getting tired, Mr. Lovett.
BROCK: No, wait!
LIZZIE: Goodnight, Mr. Lovett, Mr. Bodine.
Lizzie wheels Old Rose out of the room.
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SCENE 63 WAS DELETED
As the big hydraulic jib swings one of the Mir subs out over the water. Lovett walks as he talks to Bobby Buell, the partners rep. They weave among deck cranes, launch crew, sub maintenance guys.
BUELL The partners are pissed.
BROCK Bobby, buy me time. I need time.
BUELL We're running thirty thousand a day, and we're six days over. I'm telling you what they're telling me. The hand is on the plug. It's starting to pull.
BROCK Well you tell the hand I need another two days! Bobby, Bobby, we're close! I smell it. I smell ice. She had the diamond on now we just have to find out where it wound up. I just gotta work her a bit more. Okay??
Brock turns and sees Lizzy standing behind him. She has overheard the last part of his dialogue with Buell. He goes to her and hustles her away from Buell, toward a quiet spot on the deck.
BROCK Hey, Lizzy. I need to talk to you for a second.
LIZZY Don't you mean work me?
BROCK Look, I'm running out of time, I need your help.
LIZZY I'm not going to help you browbeat my hundred and one year old grandmother. I came down here to tell you to back off.
BROCK (with undisguised desperation) Lizzy, you gotta understand something. I've bet it all to find he Heart of the Ocean. I've got all my dough tied up in this thing. My wife even divorced me over this hunt. I need what's locked up in your grandma's memory. (He holds out his hand) You see this right here?
She looks at his hand, palm up. Empty. Cupped, as if around an imaginary shape.
LIZZY What?
BROCK That's the shape my hands gonna be when I hold that thing. You understand? I'mnot leaving here without it.
LIZZY Look,Brock, she's going to do this her way, in her own time. Don't forget she contacted you. She's s out here for her own reasons, God knows what they are.
BROCK Maybe....to make peace with the past.
LIZZY What passed? She has never once, not once ever said a word about being on the Titanic until two days ago.BROCK Then we're all meeting your grandmother for the first time.LIZZY (looks at him hard) You think she was really there?
BROCK Oh yeah. I'm a believer. I think she was really there.
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SCENE 87 WAS CUT
An Edwardian gymnasium. Thomas Andrews is leading Cal, Rose, and Ruth on a tour.
CAL Reminds me of my Harvard days.
T.W. McCauley, the gym instructor is a squat little man with a large mustache.
MCCAULEY The electric horse is very popular. We even have an electric camel.(to Ruth) Care to try your hand at the rowing machine, madam?
RUTH(flustered) Don't be absurd. I can't think of a skill I should likely need less.
ROSE: "I'd love to try it, sir."
RUTH(quietly but sharply) "Rose!"
Cal glares at Rose, trying to be subtle.
MCCAULEY "Nonsense, ma'am. It's very good exercise. And when at sea, one must have a grasp on rowing."
CAL "Yes, but not on the Titanic." (walks on) (To Ruth and Rose) "Absurd."
ANDREWS The next stop on our tour will be the bridge. This way please.
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SCENE 94 WAS DELETED
Rose and Jack stroll around, past people lounging on deck chairs in the slanting late afternoon light. Stewards scurry to serve tea or hot coccoa.
ROSE (girlish and excited) You know, my dream has always been to just chuck it all and become an artist living in a garret, poor but free!
JACK (laughing) You wouldn't last two days. There's no hot water, and hardly ever any caviar.
ROSE (angry)Listen, buster! I hate caviar! And I'm tired of people dismissing my dreams with a chuckle and a pat on the head.
JACK I'm sorry. Really I am.
ROSE Well, alright. There's something in me, Jack. I feel it. I don't know what it is, whether I should be an artist, or, I don't know... a dancer. Like Isadora Duncan! a wild pagan spirit. (she leaps forward, lands deftly and whirls like a dervish. Then she sees something ahead and her face lights up.)or a moving picture actress!
She takes his hand and runs, pulling him along the deck toward Daniel and Mary Marvin. Daniel is cranking the big wooden movie camera as Mary poses stiffly at the rail.
DANIEL You're sad. Sad, sad. You've left your lover on the shore. You may never see him again. Try to be sadder, darling.
Suddenly Rose shoots in to the shot strikes a theatrical pose at the rail next to Mary. Mary bursts out laughing. Rose pulls Jack in to the picture and makes him pose. Daniel grins and starts yelling and gesturing. We see this in CUTS, with music and no dialogue. Rose posing tragically at the rail, the back of her hand to her forehead. Jack on a deck chair, pretending to be a pasha, the two girls pantomiming fanning him like slave girls. Jack, on his knees, pleading with his hands clasped while Rose, standing, turns her head in bored disdain. Rose cranking the camera, while Daniel and Jack have a western shoot out. Jack wins and leers into the lens, twirling an air mustache like Snidely Whiplash.
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After the third class party, Rose and jack walk along the boat deck, sweaty and still in a party mood. They start to sing Come Josephine In My Flying Machine despite getting odd looks from the other passengers. A few minutes later, they reach a part of the ship where they are alone. The bow. Rose winds her arm around the davit and stares up at the clear, cold night sky. Rose sighs. ROSE: Look, it's where I should be trying to get. She rolls her eyes. Jack: What do you mean? Rose: Everyone I know, Jack, everyone, just thinks they are giants of this earth, so big and important. But they aren't even dust in God's eye. They just live their lives in a gold-plated champagne bubble....and someday the party will be over, and the bubble will burst. Jack looks at her. JACK: You're a mistake, you know. ROSE: What?? JACK: A mistake. You got mailed to the wrong address. ROSE(laughing): I did, didn't I?(she points suddenly) Look! A shooting star! Jack winds his arm around the same davit, and their hands are just barely touching. Such small contact, but that square inch is all either of them can feel. JACK: That was a good one. My pop used to say that a shooting star was a soul on its way to heaven. ROSE: That's nice. Aren't we supposed to wish on them? Jack suddenly realizes how close they are. How easy it would be to move in and kiss her. Rose seems to be thinking the same. JACK: What would you wish for? ROSE: Something I can't have, Jack. Goodnight. She smiles sadly and walks through the door. JACK: ROSE! But it is too late. She is gone, back to her world.
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SCENE 199 WAS DELETED(except for one line you'll recognize)
As Cal and Lovejoy cross, they see Benjamin Guggenheim and his valet, both dressed in white tie, tail-coats, tuxes and top hats.
CAL: Ben, what's the occasion?
BENJAMIN: We are dressed in our best and are prepared to go down like gentlemen.
CAL: Well, that's (coughs) admirable, Ben. (walking on) I'll be sure and tell your wife of your one honorable deed... when I get to New York tomorrow."He gestures to Lovejoy and the two walk on.
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SCENE 262 WAS DELETED
Cal is in the lifeboat as swimmers frantically try to come aboard. Cal has a spare oar and is hitting the swimmers with it. CAL: No!!! You'll swamp us! Get BACK, for God's sake, you'll swamp us!!
IRISH MAN: We could at least let a few aboard, sir. Shan't be too much trouble if we are just a few people over the limit, eh? CAL: Do you want to join them, sir? I let one on, I let the other hundred on, and then we're all freezing to death in the middle of the ocean, eh( he sourly imitates the man's accent with a sneer)? He returns to hitting the swimmers. CAL: Get BACK! Get BACK! You'll swamp the boat, you fools! If anyone survives this it should be me, not YOU riffraff! ENGLISH WOMAN: Well at least give them a noble death, instead of being hit to death by a madman with a paddle. CAL: Madam, I know what I am doing. They're worthless, anyway. So would you please shut that hole in your face and desist!! CAL: Get back, damn you!!BACK!! Cal clubs a 30-something man in the head. MAN(with heavy accent): You..don't....understand...I have....to...get...to..America..... CAL( pointing with oar): It's that way! he hits him again. We see Cal's true self. A demon in a tuxedo. A madman with a paddle. The image fades to black.
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